A couple of weeks ago, I demonstrated the multishot mode on the Leica SL3-S, allowing the 24Mp native sensor to deliver crisp 96Mp images. Today, I…
A couple of weeks ago, I demonstrated the multishot mode on the Leica SL3-S, allowing the 24Mp native sensor to deliver crisp 96Mp images. Today, I…
We sometimes use our Fujifilm GFX series cameras on our Sinar large format camera to take advantage of the generous movements offered by large format lenses.…
Fujifilm updated their uber popular and hype X100 series of camera, now in its sixth generation marked as VI. The camera was released in May 2024,…
Fujifilm released two new(ish) tilt shift lenses for their GFX camera series, and we tried both on an extended loan for several projects. We covered the…
Fujifilm updated their flagship lineup, and replaced their GFX 100 with the GFX 100 II. We spent a fortnight using the camera on our watch shoots…
Before we go into the review of the two Fujinon tilt/shift lenses, we first take a closer look at what they are, why they are useful…
The first of our next series on exploring high end digital cameras. We got our hands on two of the most desirable medium format cameras in…
We recently had the opportunity to try out the ultra high end cameras made by bespoke Swiss maison Alpa. And one of the cameras we tried…
We managed to get our hands on the new Fujinon GF 20-35 mmF4 R WR, the widest medium format lens made by Fujifilm for the GFX…
I proposed a dual camera strategy which consists of a medium format camera and a micro four thirds camera for the watch photography work for this…